resnais alain filmographie

| [34], Throughout the 1960s, Resnais was attached to direct an international production called The Adventures of Harry Dickson, to be produced by Anatole Dauman. | Gross: Laura Morante, [5][6] Throughout his career, he won many awards from international film festivals and academies. Emmanuelle Riva, Alain Resnais, French film director, a leader of the New Wave of unorthodox, influential film directors appearing in France in the late 1950s. In later films, Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. Drama, Romance, In Paris in the 1920s, a concert violinist meets and falls in love with a stylish young flapper who's the wife of an old friend. Stars: | Stars: Laura Benson, | Gross: 3,579 Comedy, Musical, Romance. Les Courts métrages. Sabine Azéma, Sabine Azéma, | | On the eve of the First World War, Count Forbek starts to build a fantastic castle in the Ardennes forest. He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and Mon oncle d'Amérique (1980). The accompanying narration (written by Jean Cayrol, himself a survivor of the camps) was intentionally understated to add to the distancing effect. Delphine Seyrig, Marguerite Duras, in the published script, Interview with Resnais (by Robert Benayoun) in, David Robinson, "Resnais's imaginative parallels of human behaviour", in, Interview with Resnais (by Alain Masson and François Thomas) in, Interview with Resnais (by François Thomas) in, Marie-Noëlle Tranchant. Liandrat-Guigues, Suzanne, & Jean-Louis Leutrat. See the "Tableau des connivences" in Robert Benayoun, "Impossible de parler de HIROSHIMA. A musical story about how people find their love on the streets of beautiful Paris. 1948. Biographie de Alain Resnais - Réalisateur/Metteur en Scène, Scénariste : découvrez sa filmographie, ses dernières news et photos. Not Rated Drama, Romance. In Paris, six people all look for love, despite typically having their romantic aspirations dashed at every turn. Sandrine Kiberlain, 1947. Sabine Azéma, Alain Resnais's scriptwriter on this film was the author Jacques Sternberg. His films frequently explore the relationship between consciousness, memory, and the imagination, and he was noted for devising innovative formal structures for his narratives. "Alain Resnais, prodige du cinéma français, est mort", in. $0.02M, Not Rated | [81] Resnais himself traced a link to his teenage discovery of surrealism in the works of André Breton: "I hope that I always remain faithful to André Breton who refused to suppose that imaginary life was not a part of real life". Gérard Depardieu, 298 min A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war. A swindler's activity indirectly caused a political crisis in France in the last years before World War II. [65] He was also known to treat the completed screenplay with great fidelity, to the extent that some of his screenwriters remarked on how closely the finished film realised their intentions. Three weeks before Resnais's death, the film received its premiere in the competition section of the 64th Berlin International Film Festival in February 2014, where it won a Silver Bear award "for a feature film that opens new perspectives". Alain Resnais He was married to Sabine Azéma and Florence Malraux. Voir la fiche. Stars: Alain Resnais | With glamorous costumes and sets, a musical score by Stephen Sondheim, and Jean-Paul Belmondo in the title role, it was seen as Resnais's most commercial film to date, but its complex narrative structure showed clear links with the formal preoccupations of his earlier films. [51] It was therefore something of a departure when he chose L'Incident, a novel by Christian Gailly, as the basis for Les Herbes folles (Wild Grass, 2009). Comedy, Drama, Romance. [1], Resnais began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. Sabine Azéma, International Dictionary of Films and Filmmakers – 2: Directors; 4th ed., edited by Tom Prendergast and Sara Prendergast. [22], Resnais's first feature film was Hiroshima mon amour (1959). 1,721 Alain Resnais Active - 1948 - 2014 | Born - Jun 3, 1922 in Vannes, France | Died - Mar 1, … Le réalisateur Alain Resnais, né à Vannes le 3 juin 1922, est décédé le 1er mars 2014, à l'âge de 91 ans. His major works included Hiroshima mon amour (1959) and Last Year at Marienbad (1961). Mäerz 2014 zu Paräis war e franséische Filmregisseur an Dréibuchauteur.. Hie war vun 1998 bis zu sengem Doud am Mäerz 2014 mat der Schauspillerin Sabine Azéma bestuet.. Filmographie Kino. | Resnais continued to address artistic subjects in Gauguin (1950) and Guernica (1950), which examined the Picasso painting based on the 1937 bombing of the town, and presented it to the accompaniment of a text written by Paul Éluard. Director: Alain Resnais 112 min Biography, Crime, Drama. Drama. > France Culture vous proposera "Une nuit avec Alain Resnais" dans la nuit du dimanche 9 au lundi 10 mars.A partir des 7 grands entretiens avec Alain Resnais réalisés par Michel Ciment de 1993 à 2013, la plus importante série d'entretiens jamais accordée par le réalisateur. The project was intended to star either Dirk Bogarde or Laurence Olivier as the titular detective, with André Delvaux attached as the production designer, and the composer Karlheinz Stockhausen attached for the score. [14] He returned to Paris in 1946 to start his career as a film editor, but also began making short films of his own. Alain Resnais was a French film director and screenwriter whose career extended over more than six decades. | [10], Visits to the theatre in Paris gave Resnais the desire to be an actor, and in 1939 he moved to Paris to become an assistant in Georges Pitoëff's company at the Théâtre des Mathurins. Il traite de la déportation et des camps d'extermination nazis de la Seconde Guerre mondiale, en application des dispositions dites « Nuit et brouillard » (décret du 7 décembre 1941). 2,478 Film profile for Alain Resnais, Director, born 3 June 1922. Personal Details Born. Aucun de ces films n'a été distribué. Sabine Azéma, | These films were contemporary with, and associated with, the French New Wave (la nouvelle vague), though Resnais did not regard himself as being fully part of that movement. | [45] A long-neglected operetta from the 1920s was the unexpected basis for Resnais's next film Pas sur la bouche (Not on the Lips, 2003), in which he sought to reinvigorate an unfashionable form of entertainment by recreating its theatricality for the camera and entrusting most of its musical numbers to actors rather than to trained singers. Nicole Garcia, | Documental, (intervenciones de: Óscar Domínguez) Si no encuentras lo que buscas, inténtalo con el buscador global. Den Alain Resnais, gebuer den 3.Juni 1922 zu Vannes a gestuerwen den 1. 92 min DIFFUSIONS : en salles à la télé sur le web An examination of the possible consequences of a certain event. Ne serait-il pas plus simple de présenter la filmographie sous la forme d'une liste que d'un tableau ? | Stars: 1,399 Comedy, Drama, Musical. Films include L' année dernière à Marienbad, Hiroshima mon amour, and Nuit et brouillard Director: Academy of Motion Picture Arts and Sciences, Uri Klein. Découvrez toutes les infos sur Alain Resnais, sa biographie, sa filmographie complète, son actualité. Olga Georges-Picot, After contributing an episode to L'An 01 (The Year 01) (1973), a collective film organised by Jacques Doillon, Resnais made a second collaboration with Jorge Semprun for Stavisky (1974), based on the life of the notorious financier and embezzler whose death in 1934 provoked a political scandal. Sabine Azéma and Pierre Arditi played all the parts, and the theatricality of the undertaking was again emphasised by the studio set designs for a fictional English village. Stars: The action is punctuated by episodes of song which develop towards the end into scenes that are almost operatic; Resnais said that his starting point had been the desire to make a film in which dialogue and song would alternate. 1,676 35 titres disponibles Aimer, boire et chanter - Blu-ray (2014) Sorti le 20 avril 2017 - 1 Blu-ray FTD / FTD. Stars: Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. Visita a Óscar Domínguez (C)--Alain Resnais. 90 min Sabine Azéma, Drama. [26] The film was shown at the 1959 Cannes Film Festival, alongside Truffaut's Les Quatre Cents Coups (The 400 Blows), and its success became associated with the emerging movement of the French New Wave. | Alain Resnais E-mail Citation » An accessible, convincing, and subjective early account of Resnais’s work up to the mid-1970s, with useful sections comparing the themes of Resnais’s documentaries with motifs found in later works. [83] She was a regular member of his production team, working as assistant director on most of his films from 1961 to 1986. His major works included Hiroshima mon amour (1959) and Last Year at Marienbad (1961). [38], With Providence (1977), Resnais made his first film in English, with a screenplay written by David Mercer, and a cast that included John Gielgud and Dirk Bogarde. André Dussollier, Not Rated p.816. Nita Klein, [6][68] He however consistently tried to modify this view of his concerns: "I prefer to speak of the imaginary, or of consciousness. In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live. The 1989 I Want to Go Home closed out the decade, and in 1993 he won a number of French Cesar awards for the two-part, five-hour Smoking/No Smoking , based on Alan Aykbourn's stage cycle Intimate Exchanges. cinema.encyclopedie.personnalites.bifi.fr/index.php?pk=6082 | Gross: Suzanne Liandrat-Guigues & Jean-Louis Leutrat. This page was last edited on 29 December 2020, at 20:18. Gérard Depardieu, Poetry was brought to the project, literally, by Raymond Queneau who wrote the narration for the film in rhyming couplets. Charles Boyer, Director: Alain Resnais Pour mémoire à 14 ans, Alain Resnais réalise L'Aventure de Guy (1936) De 1946 à 1948, Alain Resnais réalise des films, souvent documentaires, en 16 mm, qui sont restés privés. A romantic musical story having the vibes both France and USA. $0.40M, Not Rated [24] However, in discussion with the novelist Marguerite Duras a fusion of fiction and documentary was developed which acknowledged the impossibility of speaking about Hiroshima; one could only speak about the impossibility of speaking about Hiroshima. [7] An only child, he was often ill with asthma in childhood, which led to his being withdrawn from school and educated at home. The story shows an ageing, maybe dying, novelist grappling with alternative versions of his own past as he adapts them for his fiction. Alain Resnais Filmography. He was married to Sabine Azéma and Florence Malraux. Among the stage/film effects which contribute to its mood of "cheerful desolation" is the artificial snow which is continually seen through set windows until eventually it falls on the studio interior as well. Alain Resnais. Resnais slightly reduced the number of permuted endings and compressed the plays into two films, each having a common starting point, and to be seen in any order. 1936: L'aventure de Guy - (Kuerzfilm) 1946: Schéma d'une identification (Dokumentarfilm) - (Kuerzfilm) Tell us what you think about this feature. When Les Herbes folles was shown at the Cannes Film Festival, it was the occasion for a special jury award to Resnais "for his work and exceptional contribution to the history of cinema". [75] Elsewhere however it is suggested that such views are partly based on a misreading of the films, especially his earlier ones, which has impeded an appreciation of the humour and irony which pervade his work; and other viewers have been able to make the connection between the film's form and its human dimension. 28,351 Alain Resnais (Vannes, 3 juin 1922 - Paris, 1 Mars 2014) Ce fut un directeur français.Il se distingue également par son activité théorique cinéma. [27], Resnais's next film was L'Année dernière à Marienbad (Last Year at Marienbad, 1961), which he made in collaboration with the novelist Alain Robbe-Grillet. Nacido en Vannes (Bretaña francesa), el 3 de junio de 1922, y cinéfilo desde los trece años, formó parte de la primera promoción del famoso IDHEC de París. Dirk Bogarde, Présentation par Gaston Bounoure. Goudet, Stéphane, ed. $0.06M, Not Rated He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and Mon oncle d'Amérique (1980). Alain Resnais Active - 1948 - 2014 | Born - Jun 3, 1922 in Vannes, France | Died - Mar 1, 2014 | Genres - Drama , Comedy Drama , Avant-garde / Experimental , History , Comedy He explained however that what initially attracted him to the book was the quality of its dialogue, which he retained largely unchanged for the film. [50] He preferred working with "people of the theatre", and he said that he would never want to film a novel. Resnais quoted in, and translated by, Emma Wilson, René Prédal, L'Itinéraire d'Alain Resnais. 108 min Comedy, Drama, From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." Stars: While a seminal figure of the French New Wave, Alain Resnais was not, like so many of his contemporaries, an alumnus of the film journal Cahiers du Cinema. Drama, Sci-Fi. "Filmography" published on 04 Jan 2019 by Manchester University Press. Ingrid Thulin, [57][58] At the time of his death, Resnais was preparing a further Ayckbourn project, based on the 2013 play Arrivals & Departures. Filmografia di Alain Resnais elenco dei film con video recensioni trama trailer successi da oscar film inediti che hanno protagonista o comparsa | 104 min Découvrez le meilleur de la filmographie de Alain Resnais. Pierre Arditi, 120 min Documental (intervenciones de: Óscar Domínguez) Si no encuentras lo que buscas, inténtalo con el buscador global. Documental. He is arrested at the border for an identity check but ... See full summary », Director: Adolph Green, [40] The film won several international awards including the Grand Prix at the Cannes Film Festival, and it also proved to be one of Resnais's most successful with the public. [18], Nuit et Brouillard (Night and Fog, 1956) was one of the first documentaries about the Nazi concentration camps, but it deals more with the memory of the camps than with their actual past existence. Sacha Pitoëff, Je t'aime, je t'aime (1968) drew upon the traditions of science-fiction[33] for a story of a man sent back into his past, a theme which enabled Resnais again to present a narrative of fragmented time. TV Shows. Alain Resnais fue director, montador, guionista e incluso participó como actor en alguna película. For his twelfth birthday his parents gave him a Kodak 8mm camera with which he began to make his own short films, including a three-minute version of Fantômas. Sabine Azéma, "[2] He nevertheless acknowledged his debt to the New Wave because it created the conditions of production, and particularly the financial conditions, which allowed him to make a film like Hiroshima mon amour, his first feature film.[61]. "[78], Another term which appears in commentaries on Resnais throughout his career is "surrealism", from his documentary portrait of a library in Toute la mémoire du monde,[79] through the dreamlike innovations of Marienbad,[80] to the latterday playfulness of Les Herbes folles. Comedy, Drama, Fantasy, Three intertwined tales. Comedy. He also published Repérages, a volume of his photographs, taken between 1948 and 1971, of locations in London, Scotland, Paris, Nevers, Lyon, New York and Hiroshima; Jorge Semprun wrote the introductory text. Mäerz 2014 zu Paräis war e franséische Filmregisseur an Dréibuchauteur.. Hie war vun 1998 bis zu sengem Doud am Mäerz 2014 mat der Schauspillerin Sabine Azéma bestuet.. Filmographie Kino. 115 min Abstract: Re-thinking the linkages between Alain Resnais and the graphic image, this article seeks to establish aesthetic and conceptual connections between Resnais’s early painting films and his later filmography through the lens of animation theory. | | Gross: He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and Mon oncle d'Amérique (1980). | André Dussollier, See titles to watch instantly, titles you haven't rated, etc. Stars: Alain Resnais [76], There is general agreement about Resnais's attachment to formalism in his approach to film; he himself regarded it as the starting point of his work, and usually had an idea of a form, or method of construction, in his head even before the plot or the characters took shape. Alain Resnais est un réalisateur français, également scénariste et monteur, né le 3 juin 1922 à Vannes (Morbihan) et mort le 1er mars 2014 à Paris. His second wife was Sabine Azéma, who acted in the majority of his films from 1983 onwards; they were married in the English town of Scarborough in 1998. 94 min [71] Resnais himself offered an explanation of this shift in terms of challenging what was the norm in film-making at the time: having made his early films when escapist cinema was predominant, he progressively felt the need to move away from exploration of social and political issues as that itself became almost the norm in contemporary cinema. Caroline Silhol, Fanny Ardant, 1936: L'aventure de Guy - (Kuerzfilm) 1946: Schéma d'une identification (Dokumentarfilm) - (Kuerzfilm) Anouk Ferjac, Vannes: Elhunyt: 2014. március 1. 115 min 3,787 | Alain Resnais. Geneviève Bujold, Jean-Noël Brouté, Votes: (Chicago, London: St James Press, 1991.) (New York, London: St James Press, 2000.) Retrouvez toutes les infos sur Alain Resnais avec Télé-Loisirs.fr : sa biographie, son actualité, ses photos et vidéos. | Stars: | He had closer links to the "Left Bank" group of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers previously unconnected with the cinema such as Jean Cayrol, Marguerite Duras, Alain Robbe-Grillet, Jorge Semprún and Jacques Sternberg.[1][2][3][4]. Jean Dasté, 91 min In 1986, Resnais filmed the ambitious Mélo, an adaptation of a 1929 melodrama by a forgotten playwright named Henry Bernstein. [44] In subsequent years, Resnais gave his attention to music of more popular styles. | | review 16; book excerpt 11; article 7; program note 7; program 5; interview 4; advertisement 1; caricature 1; exhibitor manual 1; screenplay 1 Hiroshima mon amour (Hiroshima, my love) — Resnais, Alain — France; Japan — 1959 L'année dernière à marienbad (Last year at marienbad) — Resnais, Alain — France; Italy — 1961 Muriel ou le temps d'un retour (Muriel, or the time of return) — Resnais, Alain — France — 1963 La guerre est finie (The war is over) — Resnais, Alain — France; Sweden — 1966 Stars: Films include L' année dernière à Marienbad, Hiroshima mon amour, and Nuit et brouillard | Film profile for Alain Resnais, Director, born 3 June 1922. After winning the Golden Lion at the Venice Film Festival, the film attracted great attention and provoked many divergent interpretations of how it should be understood, encouraged by interviews in which Robbe-Grillet and Resnais themselves appeared to give conflicting explanations of the film. Pierre Arditi, Sabine Azéma, [12] The film-maker Jean Grémillon was one of the teachers who had the most influence on him at that period. 3,920 | Stars: Director: Stars: Director: This led to imaginative adaptations of plays by Alan Ayckbourn, Henri Bernstein and Jean Anouilh, as well as films featuring various kinds of popular song. Alain Resnais "An impeccable formalist, Resnais is probably the single most important director to emerge from the ranks of the French Nouvelle Vague . John Gielgud, It was among the first French films to comment, even indirectly, on the Algerian experience.[29]. He owned the largest private collection of comic books in France and in 1962 became the vice president and co-founder of an International Society for Comic Books, Le Club des bandes dessinées, renamed two years later as Centre d'Études des Littératures d'Expression Graphique (CELEG). [46], There are many references to the theatre throughout Resnais's filmmaking (Marienbad, Muriel, Stavisky, Mon oncle d'Amérique), but he first undertook the challenge of taking a complete stage work and giving it new cinematic life in Mélo (1986), an adaptation of Henri Bernstein's 1929 play of the same name. André Dussollier, | Alain Resnais was born on June 3, 1922 in Vannes, Morbihan, France as Alain Pierre Marie Jean Georges Resnais. Director: 104 min Comedy, Drama. | The fragmented and shifting narrative presents three principal characters, a woman and two men, in the opulent setting of a grand European hotel or château where the possibility of a previous encounter a year ago is repeatedly asserted and questioned and contradicted. Buy movie tickets in advance, find movie times, watch trailers, read movie reviews, and more at Fandango. [66] (On the few occasions when he did participate in writing the script, particularly for his last three films, his contribution is acknowledged under the pseudonym Alex Reval, since he did not want his name to appear more than once in the credits. Resnais's tomb at Montparnasse cemetery (division 4). He made Gershwin (1992), an innovative TV documentary in which the American composer's life and works were reviewed through the testimonies of performers and filmmakers, juxtaposed with commissioned paintings by Guy Peellaert. Reconocido realizador francés y maestro del lenguaje fílmico, Alain Resnais es otro innovador de la narrativa cinematográfica tradicional. [15], After beginning with a series of short documentary films showing artists at work in their studios, as well as a few commercial commissions, Resnais was invited in 1948 to make a film about the paintings of Van Gogh, to coincide with an exhibition that was being mounted in Paris. The war, and the difficulty of coming to terms with its horrors, was a central theme of his next film Muriel (1963), which used a fractured narrative to explore the mental states of its characters. | Geraldine Chaplin, Stars: Les tableaux me ... Je pense qu'il y a une vraie section à faire sur Cinéma et théâtre chez Alain Resnais et ça me semble distinct de ce qui doit être dit sur la musique. Fanny Ardant, Not Rated In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before. [70], Another view of the evolution of Resnais's career saw him moving progressively away from a realistic treatment of 'big' subjects and overtly political themes towards films that are increasingly personal and playful. Nuit et Brouillard Alain Resnais ... Filmographie. Jean-Baptiste Thiérrée, 121 min Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Alain Resnais : Filmographie 1946-1961. Alain Resnais Tout ce qu'on peut faire c'est de parler de l'impossibilité de parler de HIROSHIMA." Pierre Barbaud, Votes: A dying writer bases his last book on his own perception of his family. Alain Resnais [16] (Braunberger went on to act as producer for several of Resnais's films in the following decade.) Contribution called "Pour Esteban Gonzalez Gonzalez, Cuba". [28], At the beginning of the 1960s France remained deeply divided by the Algerian War, and in 1960 the Manifesto of the 121, which protested against French military policy in Algeria, was signed by a group of leading intellectuals and artists who included Resnais. Alain Resnais was born on June 3, 1922 in Vannes, Morbihan, France as Alain Pierre Marie Jean Georges Resnais. François Périer, Alain Resnais Collection - 6-DVD Box Set ( La guerre est finie / Mon oncle d'Amérique / La vie est un roman / L'amour à mort / Mélo / I Want to Go Home ) [ NON-USA FORMAT, PAL, Reg.2 Import - France ] 4.4 out of 5 stars 4. Toggle facets Limit your search Document: type. Drama, Romance. In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse. [9] Around the age of 14, he discovered surrealism and through that an interest in the works of André Breton. [82], In 1969 Resnais married Florence Malraux (daughter of the French statesman and writer André Malraux). Alain Resnais was born on June 3, 1922 in Vannes, Morbihan, France as Alain Pierre Marie Jean Georges Resnais. Movies. | Gross: Critiques et analyses des films qui font l'actualité du cinéma de patrimoine, lors des sorties DVD et Blu-Ray ou des resorties en salles. He started his career doing documentary shorts, winning an Oscar early on for a documentary on Van Gogh. Documental . It originated as a commission from the producers of Nuit et Brouillard (Anatole Dauman and Argos Films) to make a documentary about the atomic bomb, but Resnais initially declined, thinking that it would be too similar to the earlier film about the concentration camps[23] and that it presented the same problem of how to film incomprehensible suffering. Drama, Mystery. [25] In the film, the themes of memory and forgetting are explored via new narrative techniques which balance images with narrated text and ignore conventional notions of plot and story development. Alain Resnais (Cinéma d’aujourd’hui 5). Découvrez aussi toutes les photos et vidéos de Alain Resnais Loin du Viêtnam. Pierre Arditi, A quirky woman who spends her free time as a pilot has her purse stolen; when a mysterious man finds her wallet, they embark on a peculiar romance. Un film di Alain Resnais.Con Sandrine Kiberlain, André Dussollier, Hippolyte Girardot, Sabine Azéma, Michel Vuillermoz.Titolo originale Aimer, Boire et Chanter.Drammatico, durata 108 min. [3] They were distinguished by their interests in documentary, left-wing politics, and the literary experiments of the nouveau roman. Propos d'Alain Resnais. The film was unlucky in its release (its planned screening at Cannes was cancelled amid the political events of May 1968), and it was almost five years before Resnais was able to direct another film. In 1958 Resnais undertook a commission from the Pechiney company to make short film, in colour and wide-screen, extolling the merits of plastics, Le Chant du styrène. If there is no form, you cannot create emotion in the spectator. $0.03M, 115 min Vittorio Gassman, "Memories of Alain Resnais, cinema's explorer of memory", in. | Gross: Pierre Arditi, Stars: March 1, 2014 (age 91) Neuilly-sur-Seine, Hauts-de-Seine, France He filmed it at first in 16mm, but when the producer Pierre Braunberger saw the results, Resnais was asked to remake it in 35mm. In On connaît la chanson (Same Old Song, 1997), his tribute to television works of Dennis Potter, the characters express their key emotions or private thoughts by bursting into snatches of well-known (recorded) popular songs without interrupting the dramatic situation. | For this intense chamber work with four principal actors (Azéma, Arditi, Ardant and Dussollier), Resnais asked Hans Werner Henze to compose musical episodes which would act as a "fifth character", not an accompaniment but a fully integrated element of the drama with which the speech of the actors would interact. Mathieu Amalric, A contemporary political issue also formed the background for La guerre est finie (The War Is Over, 1966), this time the clandestine activities of left-wing opponents of the Franco government in Spain.